Emily
Brontë's Wuthering Heights needs no introduction and it's on itself a thought provoking novel. So why did Andrea Arnold's film adaptation cause such a stir?
The
Brontë sisters are famed for exploring quite strong social, racial and sexual issues within their work. Emily
Brontë is no different, so there is no surprise in the fact that in Wuthering Heights the love triangle is about class issues and the fact women at the time wanted to 'marry up' the ladder - a good marriage could set them and their family up for life. Bearing in mind the controversy, it's really no wonder that this particular novel has had so many incarnations in film and theatre. And let's not even mention the fact that it's beautifully written.
Andrea Arnold's version entered Cannes Festival last year causing some commotion for many reasons. The most noticeable of them, perhaps, was that she had turned Brontë's Hispanic gypsy anti-hero, Heathcliff, into a black runaway slave and by default made the issue a racial rather than a class one. The other point of conflict was Arnold's free and strong use of swear words, which, without a shadow of a doubt, would have made Emily Brontë lower her head in shame. And not even get me started in the animal killing scenes that had a non-pet or animal lover like me cringing.